POST-PRODUCTION

THIS IS THE SECOND EPISODE FOR MY PROPOSED NEW YOUTUBE CHANNEL, "ENIGMA." IT'S A 7-MINUTE FEATURE ON  SEVERAL ENCOUNTERS BETWEEN THE USS NIMITZ CARRIER GROUP AND AN ODDLY-SHAPED UFO IN 2004. ALONG WITH WRITING, VOICING AND EDITING THE ITEM, I ALSO CREATED ALL THE TIC-TAC ANIMATIONS IN UNREAL ENGINE 5.
(DEC 2022)

ABOUT PAUL

Video Editing Timeline

SOFTWARE WE KNOW AND LOVE

Adobe

  After Effects (since 2013)

  Premiere (since 1996)

  Audition (since 2016)

  Photoshop (since 1998)

Blender (since 2015)

Unreal Engine 5.0 (since 2022)

My first job after I left university was as an editor at a post-production house in Toronto. In one intense year I dealt with projects big and small, and while I soon moved on to TSN and a variety of television jobs, much of what I learned while editing helped me in every other area of TV. None more so than as a computer animator, doing show openings for in-house programs, which I did for five years in the 1990s.

While my day job for the first two decades of the 21st century was website and mobile app building, my other vocation has always been video, from capturing Canadian music videos I recorded on VHS in the 80s and posting them to my YouTube channel, to remixing contemporary videos to create new versions to accompany remixes of songs. Along the way, I've taught myself a graduate course in Adobe Premiere, After Effects, Photoshop, and Audition, plus Blender (the free 3D animation program) and Unreal Engine 5.0, the latest iteration of the video game building software that includes cinematic tools for creating 3D worlds for TV and film.

To see more recent samples of the work I've done, just continue scrolling.

VIDEO SHOWCASE

THE IS THE PILOT EPISODE FOR A PROPOSED YOUTUBE CHANNEL CALLED "ENIGMA." IT'S A 12-MINUTE DOCUMENTARY ON THE MYSTERIOUS HAVANA SYNDROME, WHICH HAS SICKENED U.S. DIPLOMATS AROUND THE WORLD. I WROTE, PRODUCED, VOICED AND EDITED THE PIECE.
(NOV 2022)

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DUAL-ORIENTATION

YOUTUBE/TIKTOK

MUSIC VIDEO FOR MINA TINDLE'S "TOO LOUD" (2022). VIDEO WAS RENDERED IN TWO VERSIONS: ONE VERTICAL (TIKTOK) AND ONE HORIZONTAL (YOUTUBE). CLICK THE IMAGE ABOVE TO LEARN MORE.

THIS IS A LYRIC VIDEO WE DID FOR L.A.'S MUNA (2022). IT'S ALL DONE WITH STOCK FOOTAGE AND PLENTY OF POST-PRODUCTION!

ANIMATION OF AN IMAGINED CRASH OF A FLYER SAUCER AT ROSWELL, N.M., CREATED IN UNREAL ENGINE 5.0 AND AFTER EFFECTS (2022)

LYRIC MUSIC VIDEO FOR VICTORIA, B.C.'S JETS OVERHEAD SONG, "THE TIMING." (2022)

LYRIC VIDEO FOR NEW ZEALAND'S INDY PROJECT FAZERDAZE, CREATED USING ABSTRACT STOCK FOOTAGE (2022)

PROMOTIONAL VIDEO DONE FOR SAN DIEGO TOURISM USING FOOTAGE PROVIDED BY CITY (2019)

PROMOTIONAL VIDEO FOR A NEW SERVICE, PEAKTV+, TARGETED STRICTLY AT MOBILE (2019)

INVESTOR DEMO SIMULATING THE EXPERIENCE OF A NEW APP-BASED SUBSCRIPTION SERVICE CALLED GUITARNRG. (2015)